On October 9th, the MK Gallery invited Design as Politics Professor Wouter Vanstiphout and Architect Sam Jacob – the curators of this year’s British Pavilion at the Venice Architecture Biennale – to discuss the development of their exhibition, A Clockwork Jerusalem, with Architectural Historian and Broadcaster, Kieran Long.
A Clockwork Jerusalem explores how the international influences of Modernism became mixed with long standing British sensibilities. and how traditions of the romantic, sublime and pastoral, as well as interests in technology and science fiction were absorbed to create a specifically British form of Modernism.
The exhibition focusses on the mature flowering of British Modernism; the moment it was at its most ambitious socially, politically and architecturally, but which also witnessed its collapse. A variety of large scale projects offer insights into the way architecture was central to manufacturing a new vision of society at a scale inconceivable in today’s Britain. It explores how the modern future of Britain was built from an unlikely combination of interests and shows how these projects have changed our physical and imaginative landscapes.